![]() ![]() NX-D does not have layer concept, so you cannot carry out any edits on selective region, nor does it have advanced image manipulation capabilities that Photoshop has. In case you really want to you can generate a custom transformation curve (for all the colours or each one individually) Fujifilm X-E2 Nikon 1 AW1 Nikon Coolpix P7800 Nikon D610 Nikon D5300. Users Manual English (for customers in Asia, Oceania, the Middle East, and Africa) 6.43 MB Download. Adobe Lightroom 5.3 & Camera Raw 8.3 Release Candidates Now Available. ![]() Users Manual English (for customers in the Americas) 6.43 MB Download. You can use presets which will boost the shadows or tone down the highlights. Users Manual English (for customers in Europe) 6.39 MB Download. The transformation are either linear or nonlinear. Auto-suggest helps you quickly narrow down your search results by suggesting possible matches as you type. 11 items can not be updated beyond Camera Raw. Transforms from 12/14 bits of RAW to 8 bits of jpeg. Nikon D5300 was first supported by Adobe Camera Raw 8.3, which is only compatible with 12 elements and later. Adjusts the brightness levels and contrast NX-D does not do any graphics oriented edits. ![]() It has evolved tremendously to incorporate RAW input files, but its forte is image manipulation. You could play around with the image, selectively edit parts of the image and apply special effects. USB 2.0 Hi-Speed, HMDI, 3.Software like Photoshop were designed for graphics artists and concentrated more on the "Image" part. Nikon D500 requires camera raw plugin 9.5.Please ensure that you are using the latest version of camera raw as per the version of Photoshop you are using. Manual, single-shot AF, 9 points, 21 points or 39 points dynamic AF, automatic AF, 3D trackingĢ016-pixel RGB metering sensor with 3D Color Matrix metering (evaluative), centreweighted and spot Single, continuous high at 5fps, continuous low at 3fps, self-timer, remote, quietģ0-1/4000sec in 1⁄3EV or 1/2EV steps plus bulb Also, an in-camera retouch menu allows users to brighten shadow areas by adjusting the active D-lighting.Īuto, 6 presets (with fine-tuning), plus custom settingġ920 x 1080 pixels (at 60i, 30, 25 or 24p), 1280 x 720 pixels (at 60 or 50fps), 640 x 424 pixels (at 30 or 25fps), MOV files with MPEG-4 AVC/H.264 compressionĮlectronically controlled focal-plane shutterĪrticulated 3.2in LCD with 1.037 million dotsģ9 or 11 focus points, individually selectable AF pointsĪuto, program, aperture priority, shutter priority, manual, 9 special effects modes, 17 scene modes and 5 presetsġ4-bit raw, JPEG, raw + JPEG simultaneously Using Adobe Lightroom or Adobe Photoshop, I was able to lighten the shadows and darken the highlight areas down to a achieve a more tonally rich image. ![]() I noticed in both raw and JPEG files that a large amount of tonal detail is retained in shadows and highlights. There are a lot of added controls you'll find in Capture NX-D that aren't offered by ViewNX-i. However, when shooting in more challenging situations where the dynamic range would be expected to struggle – such as very bright conditions – detail does start to be lost.Īs the metering tends to cause highlight detail to be lost before shadow detail, I shot at -1EV when faced with challenging scenes. Adobe Camera Raw version 12.4's user interface. Used in ‘normal’ conditions, I found that the D5300 rarely lost detail in either the highlight or shadow areas. At ISO 100, the camera produced a dynamic range of 12.35 stops of light. I got the most from the dynamic range by boosting the shadows.įor general shooting, the D5300’s DX-format sensor, coupled with the very accurate metering, achieves a great dynamic range. Image: Using Wi-Fi, I was able to send shots directly to a tablet and edit in Adobe Photoshop Touch. ![]()
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